#1 New York Times bestselling author Johanna Lindsay presents
a powerfully romantic Regency-era tale that is breathtaking in scope
and wondrously passionate.
When Sebastian Townshend, son of the eighth Earl of Edgewood, was banished from his family due to the tragic results of a duel, he vowed never to return to England. Now living on the continent, Sebastian has forged a new identity as a deadly mercenary, The Raven. But his former neighbor, Lady Margaret Landor, has different plans for him. Back in England, Sebastian's father has had several accidents and Margaret suspects foul play and deception that reach as far back as the infamous duel. Convinced that only Sebastian can set the situation to rights, Margaret arranges a scandalous bargain with him that includes Sebastian's returning home as her husband. As the newlyweds uncover a deadly scheme, a fierce passion blossoms between them, which neither anticipated -- and neither can resist.
|
|
|
 |
American Pastoral
List Price: $14.95
Our Price: $10.17
Your Save: $ 4.78 ( 32% )
Availability: Usually ships in 24 hours
Manufacturer: Vintage
Book written by: Philip Roth
Average Customer Rating:   
|
|
American Pastoral - book description
Binding: Paperback
Dewey Decimal Number: 813.54
EAN: 9780375701429
ISBN: 0375701427
Label: Vintage
Manufacturer: Vintage
Number Of Items: 1
Number Of Pages: 432
Publication Date: 1998-02-03
Publisher: Vintage
Release Date: 1998-02-03
Studio: Vintage
|
|
Related Items
|
|
Editorial Reviews:
As the American century draws to an uneasy close, Philip Roth gives us a novel of unqualified greatness that is an elegy for all our century's promises of prosperity, civic order, and domestic bliss. Roth's protagonist is Swede Levov, a legendary athlete at his Newark high school, who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father's glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede's beautiful American luck deserts him.
For Swede's adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandishly savage act of political terrorism. And overnight Swede is wrenched out of the longer-for American pastoral and into the indigenous American berserk. Compulsively readable, propelled by sorrow, rage, and a deep compassion for its characters, this is Roth's masterpiece.
|
Spotlight customer reviews:
Customer Rating:
Summary: From a disappointed Roth fan. . .
Comment: Amer pastoral
In this novel, Roth's alter ego Nathan Zuckerman ("Skip") returns to his beloved northern New Jersey--in this case, Newark, during the halcyon days of the 40's and 50's. Back then, Newark was a thriving city of immigrants, many of them Jewish, who worked harder than we can possibly imagine today, but indeed caught the golden ring and realized the American Dream. Growing up, Skip lived in an innocent world of sports and school, worshipping the magical Swede, so-called because this blond god didn't look Jewish. Swede was an athlete and hero, and a look or a kind word from him was enough to send a young boy to Cloud 9. Swede grows up to live out a Jewish version of the American fantasy--he marries Miss New Jersey, buys the old stone mansion of his dreams, has a daughter, and lives the life of an upper middle class WASP. But it all turns into nightmare as daughter Merry grows up and gets caught up in the turmoil of the 60's.
Many consider "American Pastoral" Roth's masterpiece, and it won a Pulitzer. But as a Roth fan, I was disappointed. Was this story merely Skip's imagining of what had happened in the Swede's life? I tended to think so, which might explain the lack of immediacy I felt as I read. Too much of the second half of the book consists of Zuckerman's imaginings of the obsessions in Swede's mind as his personal American dream turns into a hellish nightmare. I felt as if I was going round and round in this poor guy's brain, never to escape. No doubt that's what Roth wanted to convey, but I found it wearing. I find other works of Roth far more compelling, "The Plot Against America" The Plot Against America and "The Human Stain" The Human Stain: A Novel among them. If you felt the same as I did about "Pastoral" don't give up on Roth; try these others.
Customer Rating:
Summary: Forrest Gumpy
Comment: This book gives me the sense that works by successful authors, once they're beyond a certain point in their career, just aren't edited before publication. American Pastoral reads as though Roth dictated it in one sitting. He frequently loses himself in unrestrained reveries and ends up repeating passages verbatim, backtracking through his thoughts, hoping for renewed inspiration or to regain the thread of his story.
Roth casts a conservative glance back at the 60s, looking for somewhere to place the blame for the revolutionary upheaval of the era, and though there are hints of classical tragedy in his story, Roth's links between the minuscule failures of a father and the dissolution of his society are unconvincing. His main character, "The Swede" is a conformist, Jewish jock who will only appeal to those who confuse athletic prowess with character. Roth infuses him with hackneyed greatest generation virtues and announces early on that the character will do nothing but suffer for them. The Swede is unwitting to the point of being witless, and that combined with Roth's unsympathetic caricature of radicalism left me with a bitter, Forrest Gump aftertaste. In general, the characters serve as little more than a lattice for Roth to weave lush descriptions of New Jersey around.
I put up with Roth's mensch and maenads up to the very end, afraid that I would miss some masterful stroke that would redeem such a mess. Rarely have I been so relieved to finish a book, though I have to give it to Roth that his voice alone can sustain a story. That's all that was there.
Customer Rating:
Summary: The Mediocre Gatsby
Comment: Meet the ideal American golden boy, Swede, an all-star, perfectly moral glove-making icon who has everything: wealth, health, and talent. Swede has quaint American dreams: a beauty pageant wife, an oak tree with a tire swing, and a healthy, beaming child to swing on it. His dream is sullied, however, when that child -- a stuttering girl named Merry (irony!) -- turns into a political terrorist who goes around bombing post offices. What do you do when your hopes are torn between idealistic paternal love on the one hand, and irrational rage on the other?
It's obvious that Philip Roth, when writing AMERICAN PASTORAL, had The Great Gatsby in mind. The themes are almost the same, even if the execution is a tad different. Charles Baxter, in his book of essays, The Art of Subtext, states that when you have an obssessive and mentally unhinged central character, it is best to have a narrator who can view things from the outside. Moby Dick has Ishmael. THE GREAT GATSBY has Nick Carraway. AMERICAN PASTORAL has Skip Zuckerman.
Wait a minute. No, it doesn't.
One of the greatest flaws of Roth's Pulitzer Prize winning novel is that Roth wisely takes up the utensil of the buffering narrator, only to immediately discard it. Skip begins the Swede's story, telling the tale of disillusionment from a distance, but then Skip disappears and never comes back. The result is jarring and uneven. And, even worse, it serves to underscore every other unnecessary element to the book.
My guess is that this novel won the Pulitzer for two reasons. First, the prize was more in honor of Roth's body of work than in response to this particular tome. Second, the book, in spite of its glaring flaws, is unmistakably authentic and pure. Roth's writing is clear and unblinking, and every detail is so well-fitted, it reads like the script to a documentary.
Unfortunately, this wholesale honesty also kills the book. Roth's PASTORAL is about five times the size of Fitzgerald's GATSBY, but it is only 1/10th as powerful. Roth is not trying to tell any kind of linear, plot-driven tale. This is very much an analysis of American culture, it is a 423 page question about the nature of love and ideals, it is a portrait of a God-Among-Men who must find the wherewithal to deal with the Hellish Spawn he has given rise to.
The idea is brilliant, and if it weren't for the excruciating and maddening amount of detail and despair in the novel, there'd be a lot here worth poring over. Unfortunately, Roth spends so much time authenticating his novel with extraneous facts and mullings that there is far too much to wade through before you actually get to the good bits. Swede despairs and whines and bites his nails for pages and pages and pages while people lie to him, take advantage of him, and listen to him explain every single facet of glove making.
Never before have I felt so much like slapping every single character in a book. Halfway through the novel I bemoaned the loss of Skip. Where was this dull but at least relatable and grounded narrator that had begun the story? Nowhere to be found. Instead, there is Swede, wondering, over and over, what's to be done. What's to be done?
And guess what's to be done? Nothing at all. At the start of the novel you learn that the Swede has a new family, a new wife, new kids, a new direction. He has fashioned, finally, at least a semblance of the American dream, a mask to cover his first failed attempt. The bulk of the novel is about that failed attempt, but you NEVER learn the steps or details that engendered that massive change from Disasterous Daughter to New Fake Life. This is a change that you would imagine would be worth examining, this is a process that is at least as interesting as the destruction that preceeded it. Roth, it seems, disagrees with that.
Endings are hard, hard stuff, even for Pulitzer Prize winners, but this is the weakest of the weak endings. Most good books end in two ways. They either simply fold off the conflict and close the curtains, or they pass the story off to the reader to finish for themselves. Roth opts for the latter, hoping that the mountains of ruminating malarky that preceded it will be enough to encourage some serious consideration. It doesn't work. Instead, it feels like an aborted cop-out, a cheap parting shot, a record having its stylus ripped angrily across the grooves.
All wind and no sails, AMERICAN PASTORAL is moving on several levels, but those levels push against each other, so that no movement happens at all. Read it for the beautiful prose, but expect the last page to be the literary equivalent of having a door slammed in your face. And then maybe you will do as I did: cry out for Skip to help make sense of it all.
Customer Rating:
Summary: Duped by the Pulitzer
Comment: Have you ever known someone who, for example, has just gone through a bad break-up, and out of kindness you sit there for hours as you listen to the person's obsessive, often irrational ranting on one overemphasized detail blamed for the break-up when you only want to slap the person back to their senses? That's how I felt reading "American Pastoral." You might say that's the point -- trying to capture the obsessive mindset of someone enduring such a tragedy which felt kind of silly to be honest -- but it didn't work for me. This was a short story filled out with repetitive inner monologue and description so intrusive at times and both so rambling that it went on to the point Roth would stick a break in and restart the scene because even he knew there's no chance anybody could remember what the scene was about. I just wanted to slap him until he understands that we need more than that, even if it's not a plot-driven story! And the huge blocks of text didn't help. Doesn't Roth know that not breaking dialogue exchanges onto separate lines stopped being "in" like 50 years ago? For that, as well as what to me were bland characters I couldn't sympathize with, no spine or structure, and no resolution, I have to question whether Roth knows how to write for a modern audience. It's no surprise that, as inexplicanly critically acclaimed as this book is, it hasn't been adapted into a film and probably never will be: it's simply not entertaining and I don't feel like I took anything away from it besides a desire to avoid Roth at all costs from now on. So why did I read it then, when the book was so frustratingly dull I felt I could die? Like a lot of people writing negative reviews, I was duped into it by its Pulitzer Prize sticker.
Customer Rating:
Summary: Murky
Comment: This book opens with Skip, a very old man, coming back into touch with his childhood idol. Swede was anything any boy could hope to be--smart, athletic, genuinely sweet and caring. He was a star athlete in high school, joined the Marines, married Miss New Jersey, and dutifully took over his father's successful glovemaking factory. His life should have been perfect.
But there was one imperfection in Swede's ideal situation--his adored and pampered daughter Merry as a teenager became a rabid anti-war activist and, at sixteen, allegedly blew up the local post office before disappearing from Swede and his wife's lives.
Swede's search for his daughter and his bafflement over what could have caused her behavior ends up destroying this noble man, damaging his marriage, his relationships with the rest of his family, and ultimately causing Swede to second-guess every aspect of his own personality.
The basic story in this novel was excellent--it was fascinating to read about Swede's life and the chain of events that brought him to adulthood as the kind of man he was. I enjoyed the details of the glovemaking industry, and the insight into being Jewish and being married to a Catholic. I also liked reading the story of Dawn, Swede's wife, and her experience in the Miss America pageant.
However, at the end of this story I was left with a pretty murky sense of reality. Skip states close to the beginning that when he heard the basics of Swede's story from his brother, he began to imagine Swede's experiences. Was this entire story out of Skip's imagination? Does it bear any relationship to what actually happened with Swede and Merry? The book ends so abruptly, too, that I didn't feel like I had any sort of resolution. What happens between Swede and Dawn? What happens between Swede and Merry, and does the rest of the family become involved? And, most importantly, what DID cause Merry to go so crazy? It seemed her childhood was so perfect, her parents so absolutely loving and devoted. Was that an accurate picture, or was Swede's brother right when he said his niece was smothered by her perfect parents? Was she mentally ill, and her breakdown had nothing to do with Swede and Dawn? I would have liked to have had a bit more clarity when it came to the accuracy of this tale, and especially when it came to what Merry was actually feeling.
|
|
Go to the store to buy American Pastoral
|
|
| |
|
|
Books
